{"id":161,"date":"2018-01-31T13:00:27","date_gmt":"2018-01-31T13:00:27","guid":{"rendered":"http:\/\/matthias-haenisch.de\/?p=161"},"modified":"2023-03-20T08:00:44","modified_gmt":"2023-03-20T08:00:44","slug":"ctm-festival-discourse-program-on-musical-resistance-hosted-by-dahlia-borsche-matthias-haenisch","status":"publish","type":"post","link":"http:\/\/matthias-haenisch.de\/?p=161","title":{"rendered":"CTM Festival 2018: Discourse Program on Musical Resistance"},"content":{"rendered":"<p>Past research has shown that popular music can support subversive politics. There is musical potential for social change. Following this year\u2019s theme \u2013 TURMOIL \u2013 one obvious question is how music scenes articulate counter-hegemonic and subversive discourses today. How do music scenes and genres react to our times of Fake News, populism and growing right-winged nationalism? How do musical discourses and practices intervene in current political scenarios? What are the limits and potentials of popular music\u2019s articulation of popular and populist politics? How can scholarly discourse take responsibility, to what extent can and should music related research intervene?<\/p>\n<p><strong>CTM Festival Discourse Program on Musical Resistance&nbsp;hosted by Dahlia Borsche &amp; Matthias Haenisch<\/strong><\/p>\n<p><a href=\"https:\/\/www.ctm-festival.de\/festival-2018\/calendar\/2018\/01\/31\/resistance-through-music-what-are-the-limits-and-potential-in-popular-music\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Lyndon CS Way<\/strong>: <em>Resistance Through Music: What are the Limits and Potential in Popular Music?<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.ctm-festival.de\/festival-2018\/calendar\/2018\/01\/31\/forbidden-music-forbidden-jukeboxes-listening-anxieties-and-the-hyper-amplification-of-violence-in\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Pedro Oliveira<\/strong>:&nbsp;<em>Forbidden Music, Forbidden Jukeboxes: Listening Anxieties and the Hyper-amplification of Violence in Rio de Janeiro<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.ctm-festival.de\/festival-2018\/calendar\/2018\/01\/31\/this-is-a-hymn-for-the-hymnless-revisiting-political-activism-through-music\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Carla Schriever<\/strong>:&nbsp;<em>This is a Hymn for the Hymnless: Revisiting Political Activism through Music<\/em><\/a><\/p>\n<p><a href=\"https:\/\/www.ctm-festival.de\/festival-2018\/calendar\/2018\/01\/31\/best-practices-misogyny-in-music-culture\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Lisa Blanning<\/strong>:&nbsp;<em>Best Practices: Misogyny in Music Culture<\/em><\/a><\/p>\n<p>Date: Wednesday, January 31<sup>st<\/sup> 2018<\/p>\n<p>Place: Kunstquartier Bethanien (Studio 1), Mariannenplatz 2, 10997 Berlin<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Past research has shown that popular music can support subversive politics. There is musical potential for social change. Following this year\u2019s theme \u2013 TURMOIL \u2013 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":739,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"saved_in_kubio":false,"footnotes":""},"categories":[52,3,14,46],"tags":[38,39,37],"class_list":["post-161","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conference-talk","category-festival","category-lecture","category-workshop","tag-cultural-studies","tag-political-activism","tag-popular-music"],"_links":{"self":[{"href":"http:\/\/matthias-haenisch.de\/index.php?rest_route=\/wp\/v2\/posts\/161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/matthias-haenisch.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/matthias-haenisch.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/matthias-haenisch.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/matthias-haenisch.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=161"}],"version-history":[{"count":7,"href":"http:\/\/matthias-haenisch.de\/index.php?rest_route=\/wp\/v2\/posts\/161\/revisions"}],"predecessor-version":[{"id":740,"href":"http:\/\/matthias-haenisch.de\/index.php?rest_route=\/wp\/v2\/posts\/161\/revisions\/740"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/matthias-haenisch.de\/index.php?rest_route=\/wp\/v2\/media\/739"}],"wp:attachment":[{"href":"http:\/\/matthias-haenisch.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/matthias-haenisch.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=161"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/matthias-haenisch.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}