The Splitter Orchestra in Darmstadt – A Focussed Ethnography of Collective Realtime Composition Posted in Research Project Tagged with communities of musical practice, improvisation studies Previous post: The Construction of the Moment – Knowledge, Materiality, and Distributed Agency in Contemporary Improvised Music Next post: Kunsttexte 2/2012: Improvisation: Theorie – Praxis – Ästhetik, Guest Editor: Matthias Haenisch, Contributions by Dirk Baecker, Christa Brüstle a.o.
Aesthetic Experience in Mobile Music Practices [2017-2020] Posted in Research Project Tagged with communities of musical practice, music and digitalization, music and technology, musical aesthetics
Online Poster Session: Composing in the Postdigital Age Posted in Conference, Lecture, Research Project
New Research Project: MusCoDA – Musical Communities in the (Post)Digital Age (2020-2024) Posted in Research Project
The Construction of the Moment – Knowledge, Materiality, and Distributed Agency in Contemporary Improvised Music Posted in Research Project Tagged with actor network theory, experimental music, improvisation studies, material culture studies, music and technology, musical aesthetics, performance studies, popular music studies, social systems theory
