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Matthias Haenisch

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Researcher Lecturer Curator

  • About
  • Text & Talk
  • Teaching
  • Impressum

Categories

  • Article
  • Artist Talk
  • Conference
  • Festival
  • Lecture
  • Panel Discussion
  • Research Project
  • Seminar
  • Uncategorized
  • Workshop

The Splitter Orchestra in Darmstadt – A Focussed Ethnography of Collective Realtime Composition

  • Posted in Research Project
  • Tagged with communities of musical practice, improvisation studies
Previous post: The Construction of the Moment – Knowledge, Materiality, and Distributed Agency in Contemporary Improvised Music Next post: Kunsttexte 2/2012: Improvisation: Theorie – Praxis – Ästhetik, Guest Editor: Matthias Haenisch, Contributions by Dirk Baecker, Christa Brüstle a.o.

Related Posts

Aesthetic Experience in Mobile Music Practices [2017-2020]

  • Posted in Research Project
  • Tagged with communities of musical practice, music and digitalization, music and technology, musical aesthetics

Online Poster Session: Composing in the Postdigital Age

  • Posted in Conference, Lecture, Research Project

New Research Project: MusCoDA – Musical Communities in the (Post)Digital Age (2020-2024)

  • Posted in Research Project

The Construction of the Moment – Knowledge, Materiality, and Distributed Agency in Contemporary Improvised Music

  • Posted in Research Project
  • Tagged with actor network theory, experimental music, improvisation studies, material culture studies, music and technology, musical aesthetics, performance studies, popular music studies, social systems theory

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