The Splitter Orchestra in Darmstadt – A Focussed Ethnography of Collective Realtime Composition Posted in Research Project Tagged with communities of musical practice, improvisation studies Previous post: The Construction of the Moment – Knowledge, Materiality, and Distributed Agency in Contemporary Improvised Music Next post: Kunsttexte 2/2012: Improvisation: Theorie – Praxis – Ästhetik, Guest Editor: Matthias Haenisch, Contributions by Dirk Baecker, Christa Brüstle a.o.
Research & Development Project: Popular Music Learning in the Postdigital Age [2018-2021] Posted in Research Project Tagged with communities of musical practice, music and digitalization, music and technology, pop music education, popular music studies
New Research Project: MusCoDA – Musical Communities in the (Post)Digital Age (2020-2024) Posted in Research Association, Research Project
Musical Learning in Postdigital Communities [2017-2020] Posted in Research Project Tagged with ableton link, actor network theory, communities of musical practice, electronic music, music and digitalization, music and technology, postdigitality
Tacit Knowledge of Improvising Communities [2014-2016] Posted in Research Project Tagged with communities of musical practice, improvisation studies