The Construction of the Moment – Knowledge, Materiality, and Distributed Agency in Contemporary Improvised Music Posted in Research Project Tagged with actor network theory, experimental music, improvisation studies, material culture studies, music and technology, musical aesthetics, performance studies, popular music studies, social systems theory Previous post: Emergence. On a Theoretical Term in Current Improvisation Research Next post: The Splitter Orchestra in Darmstadt – A Focussed Ethnography of Collective Realtime Composition
Tacit Knowledge of Improvising Communities [2014-2016] Posted in Research Project Tagged with communities of musical practice, improvisation studies
Online Poster Session: Composing in the Postdigital Age Posted in Conference, Lecture, Research Project
New Research Project: MusCoDA – Musical Communities in the (Post)Digital Age (2020-2024) Posted in Research Project
Aesthetic Experience in Mobile Music Practices [2017-2020] Posted in Research Project Tagged with communities of musical practice, music and digitalization, music and technology, musical aesthetics