In the course of the so-called ‘performative turn’ in the humanities, a discourse on issues of musical performance research has been established, which in many […]
Author: Haenisch
Aesthetic Experience in Mobile Music Practices [2017-2020]
The research project ›LEA – learning processes and aesthetic experiences in app music practice‹ (University of Cologne/promoted by Federal Ministry of Education and Research) is a […]
Festival & Symposium LABOR SONOR : CHOREOGRAPHING SOUND
Composers choreograph sounds. Dancers interpret compositions. LABOR SONOR : CHOREOGRAPHING SOUND explores translation processes between sound and movement, music and body. Contemporary forms of visible […]
CTM Festival 2018: Discourse Program on Digital Technology
Under the condition of the growing technosphere the impact of what Marshall McLuhan calls the technological unconscious has grown. The myths, hopes and anxieties of technology-driven […]
CTM Festival 2018: Discourse Program on Musical Resistance
Past research has shown that popular music can support subversive politics. There is musical potential for social change. Following this year’s theme – TURMOIL – […]
Symposium: Discursive and Empirical Approaches to the Aesthetics of Improvised Music
In recent years, improvisation has increasingly become an object of research in musicology. In view of the large number of research projects and publications, it […]
Festival & Symposium LABOR SONOR : MOVING MUSIC
What happens when choreography gives rise to music? What happens when choreographers compose? The expansion of the concept of composition has shown that basically every […]
Festival & Symposium LABOR SONOR : TRANSLATING MUSIC
What happens when music is translated into music? The festival LABOR SONOR : TRANSLATING MUSIC commiss ioned nine compositions: artists belonging to varying genres and […]
Transform: Subjectivation in Performing Arts Projects [2016-2019]
The joint research project ›Transform – Transformative educational processes in performative projects‹ (University Potsdam, Braunschweig University of Art) examines the conditions under which performative educational […]
The Power of Things – Materiality and Performance Practice in Contemporary Improvised and Experimental Music
The Expansion of the musical material and innovations of instrumental playing techniques are part of the history of improvised music, especially in Free Jazz and […]