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Matthias Haenisch

University Lecturer | Digitalisation Researcher | Curator

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Seminar

Becoming Human in a Postdigital Lifeworld

April 5, 2025
Conference Talk

What’s Next. The Future(s) of Music Listening and Analysis

September 4, 2024
Article

Platformizing Creativity: Artifical Intelligence and Online Community Learning

April 9, 2024
Seminar

Introduction to Music Anthropology

October 1, 2023
Seminar

Introduction to Music Education

October 6, 2022
Conference Talk

The Impact of Social Media Platforms on Songwriting Practices

September 21, 2022
Conference Talk

TikTok and Instagram as Online Informal Learning Technologies

August 30, 2022
Conference Talk

Songwriting In Bands – A (dis)continued Model Of The Postdigital Age?

July 22, 2022
Article

Becoming a Postdigital Musician. Subjectivation and Technology in Contemporary Electronic Music

June 23, 2022

Festival & Symposium LABOR SONOR : MOVING MUSIC

What happens when choreography gives rise to music? What happens when choreographers compose? The expansion of the concept of composition has shown that basically every […]

September 23, 2015

Festival & Symposium LABOR SONOR : TRANSLATING MUSIC

What happens when music is translated into music? The festival LABOR SONOR : TRANSLATING MUSIC commiss ioned nine compositions: artists belonging to varying genres and […]

August 28, 2015

Transform: Subjectivation in Performing Arts Projects [2016-2019]

The joint research project ›Transform – Transformative educational processes in performative projects‹ (University Potsdam, Braunschweig University of Art) examines the conditions under which performative educational […]

June 1, 2015

The Power of Things – Materiality and Performance Practice in Contemporary Improvised and Experimental Music

The Expansion of the musical material and innovations of instrumental playing techniques are part of the history of improvised music, especially in Free Jazz and […]

September 17, 2014

Tacit Knowledge of Improvising Communities [2014-2016]

The research project ›Improvising Knowledge‹ is an interdisciplinary project between musicology, pedagogy and sociology and investigates the emergence of knowledge and the organisation of learning […]

April 15, 2014

Material Agency in Improvisation

Pushing the boundary of material and continually innovating instrumental techniques are part of the history of jazz, and can be found in an even more […]

December 1, 2013

Kunsttexte 2/2012: Improvisation: Theorie – Praxis – Ästhetik, Guest Editor: Matthias Haenisch, Contributions by Dirk Baecker, Christa Brüstle a.o.

For all too long, musical improvisation has been an art neglected by science. This situation has begun to change in recent years, both due to […]

October 27, 2012

The Splitter Orchestra in Darmstadt – A Focussed Ethnography of Collective Realtime Composition

July 20, 2012

The Construction of the Moment – Knowledge, Materiality, and Distributed Agency in Contemporary Improvised Music

March 1, 2012

Emergence. On a Theoretical Term in Current Improvisation Research

Theoretical analyses of improvisation in recent years often conceive of emergence in terms of group processes, calling upon, for example, chaos theory, theories of complex […]

October 1, 2011

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