The article discusses the construction of meaning in online communication about Ableton Link technology through the lens of sociological systems theory. Link is a technology […]
Musical Learning in Postdigital Communities [2017-2020]
The research project ›LINKED – Musical Learning in Postdigital Communities‹ (University of Erfurt/promoted by Federal Ministry of Education and Research; term: 2017-2020) investigates musical practices […]
Research & Development Project: Popular Music Learning in the Postdigital Age [2018-2021]
What does contemporary pop music education look like? What are the special possibilities and demands of learning in popular music? What role do current music […]
Workshops on Digital Musicking with Apps
As a result of my own musical practice and my teaching and research activities in the field of mobile music making, I have started giving […]
Introduction into Musical Performance Studies
In the course of the so-called ‘performative turn’ in the humanities, a discourse on issues of musical performance research has been established, which in many […]
Aesthetic Experience in Mobile Music Practices [2017-2020]
The research project ›LEA – learning processes and aesthetic experiences in app music practice‹ (University of Cologne/promoted by Federal Ministry of Education and Research) is a […]
Festival & Symposium LABOR SONOR : CHOREOGRAPHING SOUND
Composers choreograph sounds. Dancers interpret compositions. LABOR SONOR : CHOREOGRAPHING SOUND explores translation processes between sound and movement, music and body. Contemporary forms of visible […]
CTM Festival 2018: Discourse Program on Digital Technology
Under the condition of the growing technosphere the impact of what Marshall McLuhan calls the technological unconscious has grown. The myths, hopes and anxieties of technology-driven […]
CTM Festival 2018: Discourse Program on Musical Resistance
Past research has shown that popular music can support subversive politics. There is musical potential for social change. Following this year’s theme – TURMOIL – […]
Symposium: Discursive and Empirical Approaches to the Aesthetics of Improvised Music
In recent years, improvisation has increasingly become an object of research in musicology. In view of the large number of research projects and publications, it […]